BW / Abundance

Photography + Poetry

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The photographic series composed in black and white film using multiple exposure. It brings together fragments of the built environment, industrial forms, human gestures, and surfaces of the everyday life.

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The work investigates how overlaid images produce visual tension — not as narrative, but as interference. Each frame contains more than one moment. Places are not shown, but accumulated. The exposures are layered intentionally, creating spatial and temporal compression.

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Photographic elements include architectural grids, shoreline rocks, striped umbrellas, grid windows, stair structures, and human figures. Some bodies are partially obscured. Others emerge through gesture — a hand with a rose, a silhouette in the city.

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The choice of black and white removes chromatic distraction, emphasizing structure, texture, contrast, and the residue of light.

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BW treats the photograph not as representation but as trace. Not as record, but as a condition. It considers visibility as layered, unstable, and partial — like thought/poetry.

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